From Indiana comes hip-hop rapper/producer Blake Allee with
his new album entitled “Television.” It was produced and self-released by Allee
at the end of February. The album features 15 tracks that feature Blake rolling
out lyrics over big beats. Songs like “Headlights” and “Model” have a very
attractive hip-hop sound that can easily catch on. Blake gets into his
synthesizer warmed-up for “Japanese TV” and “Synthesizer Inside Her,” before
closing the album with the creative sounds of “Silent Film Star” and the
instrumental, orchestrated “End Credits.”
Blake Allee has a show scheduled for March 15 in
Indianapolis. For more information, please check out his website at
blakeallee.com.
From New York comes the experimental, progressive jazz
musician Joe Devita with his latest album, “The Antihero.” The album will be
released on April 29th through Daddy Tank Records and tells the tale
of a superhero down on his luck.
One of the greatest things about DeVita’s music is his
ability to take chances with his music. The “Antihero Theme Song” is a
funk-drench instrumental that has some nice guitar work flowing through it. The
album draws similarities to Frank Zappa’s “Joe’s Garage” as DeVita proceeds to
tell his story, but the beats and guitar work in “Open Mic Night” and “Infiltrating
Snuff Boy’s Chicken House” become the bigger focus of the album. His
progressive jazz/rock side some through on the 11-minute “The Populace Takes
Over,” before closing the album with more great music.
To find out more on Joe Devita and his new album, “The
Antihero,” please visit joedevita.com.
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